When Ridley Scott’s 1992 movie on the voyages of Christopher Columbus starts, Columbus(Gérard Depardieu) is seen pitching his idea of a voyage to the Indies to the people of University of Salamanca. Marco Polo had traveled to and written about the gold and spices of the East. By trading and conquering the East, Columbus argues, that Spain can be an empire. But his logic of sailing West — because the land trade is controlled by the Arabs and the voyage around Africa takes too long — does not find supporters. They doubt his calculations and think he is a spoony dreamer. Also, what Columbus did not know at that time was that the Americas lay in the path between Spain and the East.
Someone asks him to meet Queen Isabella (Sigourney Weaver) and he succeeds in creating a favorable impression in her mind. To her suggestion that his voyage is an impossible one, he retorts if she thought Granada would ever fall. Isabella and her husband Ferdinand had just conquered the last Muslim stronghold on the Iberian peninsula. Impressed, she overrides the concerns of her advisors and remarks that it would be quite a loss if Columbus decided to be a monk.
In the next scene, we see sailors saying farewell to their families and boarding the Santa María, Pinta and Niña. The Spain Columbus was leaving was mired with religious wars and superstition; there is a brutal scene where he witnesses Christians burning witches to death. Economically, Europe was not a major power and had nothing valuable to contribute to Asia. A few years later when Vasco da Gama reached Calicut and displayed the gifts he had bought, my ancestors in Kerala laughed.
In all, Columbus made four voyages to the New World and the movie spends time on the first three. In the first voyage, he reached Bahamas and claimed it for Spain. From there he went to Hispaniola and after leaving some people there, he returned to Spain as a hero, taking with him some of the indigenous people. As he is about to leave Hispaniola, Columbus tells the local chief that he would come back with more people. When asked why he would be back, Columbus explains, “to bring the word of God.” “But I already have a God”, the chief replies. Columbus, then says, he will bring medicines and chief replies that he has enough medicines too. This conversation continues in Spain when a curious Ferdinand asks Columbus about the God of the natives.
In the colony, the relationship between the colonizers and the indigenous people proceed like any such relation. The Spaniards had arrived expecting gold and other riches, but were shocked to find neither. So they made the indigenous people, who lived freely so far, to scavenge for gold. In one incident, when a man turns shows up without any gold, one of Columbus’ crew members chops off his arm. On hearing about this, Columbus imprisons him, but this forces a split in the camp. Soon every one is at each other’s throat. Columbus goes on a rampage — like the British in 1857 — and kills the natives as well as his mutinous compatriots.
He is unflinching in his goal: He wants to build a New World, he tells a priest who is sickened by his cruelty and wants to leave. But his New World does not last. In one storm, everything is destroyed. Complaints against him cause the Ferdinand and Isabella to send a replacement. Columbus is jailed and the credit for discovering the mainland goes to another Italian – Amerigo Vespucci. He is eventually pardoned and sent on a voyage by Isabella.
Columbus’s life was very eventful and this movie does not capture the entire drama. For example, initially, he spent quite some time wandering in various countries trying to get funding for his voyage. Towards the end, his fourth voyage turned out to be a disaster. He got caught in various storms and hurricanes and got stranded for a year. But if these were included, the movie would have been extended by a few days.
When it comes to such movies, you also have to pay attention to what is not said. Isabella was not being magnanimous by partially financing Columbus’ first voyage. She had no other option. The wars against the Moors had bankrupt the empire and they had to find new lands to plunder. In the movie, Isabella comes across as this wise motherly figure which she was not. One important event, which happened few months before Columbus’ voyage and not shown in the movie is Isabella’s expulsion of Jews from Spain by the Alhambra Decree and the forced conversion of the Muslims of Granada.
Even the portrayal of Columbus is not without issue. The movie is quite sympathetic to him and his spirit of adventure. To counter Columbus, a troubled soul by the name of Moxica is introduced. Moxica is the one who tortures the indigenous people and is greedy while Columbus acts like a statesman. What is missing is a critical look of the influence of the Papal Bull of 1493 on later voyages and what effect the Conquistadors had on these people. The movie ends with Columbus narrating the voyage of his tales to his son to redeem his name. That scene should have been interspersed with what happened to the indigenous people.
Category: Books & Movies
Alivardi Khan on Governance
In Operation Red Lotus, Parag Tope wrote about the forgotten Azamgarh proclamation in which the Indian leaders of 1857 promised a triad of invaluable freedoms : political, personal, and economic. The review was getting too long and I had to leave this piece, about life in 1700s, which I found in Madhusree Mukherjee’s Churchill’s Secret War.
In the early 1700s, a far sighted diwan named Murshid Quli Khan reformed administration. Sixteen powerful zamindars, or overseers, and about a thousand minor ones, ran the province under his watchful eye. The zamindars, who called themselves rajas if they were Hindus and nawabs if they were Muslim, maintained armies, collected taxes and ran the courts, police, postal services, and often the schools. Villagers owned the lands they tended, and not even bankruptcy could evict them. Tax-exempt fields attached to the temples and mosques aided the poor, whereas those who excavated ponds or made other improvements earned tax remissions. Agricultural taxes — a fifth of the harvest — could be paid in kind, without resort to money lenders. The state, recognizing farmers, spinners, weavers, and merchants as the source of its wealth, tried to protect them. “The money in the hands of the people of the country is my wealth which I have consigned to their purses,” explained Alivardi, a ruler in the mid-eighteenth century, cautioning his grandson Siraj-ud-daula to abstain from extortion. “Let them grow rich and the state will grow rich also.”
In Pragati: Book Review – Operation Red Lotus by Parag Tope
In late 1856, some strange practices began to surface in parts of north India. Red lotus flowers were circulated in garrisons which housed the Native Infantry. The subedar would line up the troops and then hand a flower to the first soldier, who would hold it and pass it down the line. The last one would leave the station with the flower. Elsewhere, a runner took a bundle of chapatis to a village and handed it to the chief or sentry, with instructions to send the chapatis on to the next village under English rule. In the midst of these lotus and chapati incidents, the soldiers’ slogan would change from “everything will become red” to “everything has become red.” Other unusual events included the announcement of an important yagya in Mathura (which never took place), and the habit begun by many women of offering their rolling pins to the river Ganga.
These signs were noticed by the British—Benjamin Disraeli even raised the question of the travelling chapatis in Parliament—but were dismissed as Indian superstitions.
These abnormal occurrences, ignored by almost every historical narrative on the 1857 uprising, assume significance when seen in the light of an important question: How did the Indian troops travel over a million miles, in the early months of the war, without a supply line? In a regular war, there were three camp followers for each soldier, but once the soldiers mutinied in 1857, who fed them? Case in point: How did the 17th Native Infantry march 140km from Azamgarh to Faizabad in just five days?
The answer may seem straightforward: The villagers fed the soldiers. However, there was an intricate strategy underlying the initiative. To feed thousands of soldiers, each village (comprising of a few hundred people) needed an approximate count. The count was provided by the lotus flowers, while the chapatis and the rolling pins were the means used to confirm the commitment of the villagers. The Mathura yagya was a ruse to facilitate the travel of priests who doubled as spies.
Thus, the Anglo-Indian War of 1857 was initiated by leaders who planned the war, conducted internal and external reconnaissance, and recruited soldiers—with the help of civilians.
Parag Tope’s Operation Red Lotus—through the analysis of instances such as the use of red lotuses and chapatis—fills the gaps and corrects the myths about the events of 1857. Relying on eyewitness accounts written in Marathi and letters in Urdu and Bundeli, Mr Tope, a fourth-generation descendent of Tatya Tope, sheds new light on the momentous event. Add to it his analysis of troop movements, supply lines, and logistics—and the tale of the 1857 Anglo-Indian War comes to life in hitherto untold, dramatic fashion.
The triad of freedoms
The leaders who spearheaded the 1857 operation included Nana Saheb, his Diwan, Tatya Tope, Begum Hazrat Mahal, and the Nawab of Banda. In 1858, Sitaram Baba, a priest in Nana Saheb’s court was arrested by the British. Baba confessed that the conspiracy had been initiated by Baija Bai Shinde two decades earlier, and that the real planning had started three years before. He also revealed information about the runners who had gone to each regiment, and the connection between the lotuses and chapatis. Letters, translated for the first time in this book, reveal that Tatya Tope was aware of military movements, logistics and provisions.
“It is important to note that the rising was neither planned nor stimulated by any patriotic move”, wrote Gregory Fremont-Barnes in Indian Mutiny 1857-58 (2007). What Fremont-Barnes and many other Indian historians often fail to mention is that the leaders of the 1857 revolt had a clear vision for the future. After the uprising’s initial success, Bahadur Shah Zafar made a proclamation, read by his grandson in Azamgarh. The proclamation promised a triad of invaluable freedoms: Political, personal and economic.
The crony-capitalist state run by the British East India Company had destroyed the free market system in India. Heavy taxation was the norm, while prices were enforced with the threat of punishment. Manufacturing capabilities were crippled, and the agricultural sector lost the ability to shield the country from the threat of famines. Due to India’s asymmetrical role in the global network, even as the country’s share in the world’s GDP fell from 25 percent to 12, Britain’s share doubled.
On the social front, William Bentinck’s educational policy, based on Macaulay’s Minute, destroyed the private education system that had previously created a society more literate than that of Britain. In a letter to his father, Macaulay claimed that if the new education policy was implemented, there would not be a single idolater left in Bengal.
Even the legal framework was skewed—Indians wanted freedom from missionaries who were working with the Government, and laws which favoured Christians.
By promising the triad of freedoms, the leaders were not advocating a novel or revolutionary idea. They were reverting to the foundations of the Indian polity, which not only guaranteed political, social and economic freedom, but kept them separate as well. In other words, the ruler did not act as a trader, but created an environment suitable for trade.
Fractional Freedom
Mr Tope argues that although the initial uprising was brilliantly planned and co-ordinated, the war was lost due to two reasons. Firstly, the British used their women and children as human shields, which resulted in gory incidents such as the Siege of Cawnpore. Secondly, they resorted to the use of extreme brutality—leaving aside their usual pretences to civilised behaviour—citing the case of Cawnpore (Kanpur).
Recognising the supply lines for the soldiers, British officials attacked those villages through which the chapatis were passed. A law was passed to allow the hanging of even those whose guilt was doubtful. British troops under Havelock and Neill did a death march, killing women, children, infants and the elderly. Sepoys were ritually stripped of their caste by having pork and beef stuffed down their throats before execution.
In books such as The Great Indian Mutiny (1964) by Richard Collier, or The Last Mughal (2008) by William Dalrymple, the British officials’ use of violence is regarded as a reaction to the carnage that took place in Kanpur. However, Mr Tope points out that the government’s brutality was unleashed even before that. British historians recorded that “guilty” villages were “cleared” so that India could be saved from anarchy.
In 1857, the strategy of violent repression was used by the British to secure time to redeploy troops from other countries to India. It was during this time that Tatya’s tenacity became evident. After establishing a command centre in Kalpi, he set up factories for producing ammunition, guns and cannons.
Despite the prospect of imminent defeat, Tatya worked to raise an army, and inspire civilians. When the British took over Delhi, the battle ground was moved to central India. When Rani Laxmibai, who grew up with Tatya, was held under siege, he created a diversion to help the Rani escape. Following the Jhansi massacre, the Indian chieftains who supported Tatya backed down, but he came up with a new strategy—to raise rebellions in regions where the spirit of freedom was strong.
The battles are explained with numerous maps, painstakingly plotted with English and Indian troop movements—a useful tool to interpret the events, and grasp the thinking behind the strategy. The maps, coupled with the detailed narrative and critical analysis, provide a valuable resource to better appreciate the holistic nature of the 1857 uprising.
Upon realising that the 1857 war had ignited the desire for total freedom, Queen Victoria dissolved the East India Company and transferred all powers to the Crown. In her proclamation, she did not give India political or economic freedom, but made an important concession: The English would no longer interfere with the native religions. Even Fremont-Barnes’ apologia acknowledges that successive viceroys took greater heed of India’s religious sensitivities. It was an important victory, writes Mr Tope, for it prevented large scale British settlement in India, and stemmed the destruction of Indian traditions.
The fight continues
Nevertheless, the signature elements of the 1857 uprising—secret messages, planning, and mass murders—were repeated again. In 1932, freedom fighters were warned of danger by Hindu women, who blew on conch shells when they spotted a policeman—the sound was relayed for miles by a network of women.
Madhusree Mukerjee records instances of a different nature in her Churchill’s Secret War (2010). During World War II, when the Japanese army reached Indian borders, Leopold Amery, secretary of state for India, wondered if it was necessary to revive ruthless punishments of 1857 to prevent a possible uprising. Winston Churchill’s policies, argues Ms Mukerjee, resulted in a famine in which three million Indians perished. Mr Tope describes the events of February 19, 1946, when 78 ships, going from Karachi to Chittagong, changed their name from HMIS (His Majesty’s Indian Ships) to INNS (Indian National Naval Ships) in a co-ordinated move.
Coming back to 1857: Why is it that Baija Bai Shinde’s 20-year conspiracy, Nana Saheb’s planning or Tatya’s Tope’s contribution do not feature prominently in our history books? This probably has to do with the historiography of the event. In the official version written a century later by Surendra Nath Sen, the 1857 War was seen as a spontaneous uprising by “conspirators”. Historian R C Majumdar questioned if it could even be called a “war” since India was not a nation, while Marxist historians connected the revolt to peasant uprisings in Bengal.
This reluctance to deviate from the colonial narrative 150 years after the war and 60 years after obtaining political freedom is a telling sign about the state of historical study in India.
India’s proclamation of independence six decades ago has to be contrasted with the triad of freedoms promised in the Azamgarh proclamation. To the leaders of the newly independent polity, Indian traditions of the past did not guide the future. Their socialist mindset led to state control over education and restricted economic freedom, with the state itself becoming a trader—all of which had disastrous consequences.
Looking back, we know what our leaders tried to build and failed, but as well, what they knocked down.
(This version appeared in the February 2011 edition of Pragati)
Book Review: Genghis: Birth of an Empire
An important moment arrives in Temujin’s life when he spots three riders coming towards his ger. While he is sure that they are enemies, he is unsure if they belong to an advance raid party or if they are just three independent raiders who have come to burn, rape and kill. The 17 year old turns to his mother, Hoelun, for advice. “You have prepared for this Temujin”, she says. “The choice is all yours.”
Temujin decides to fight. But first he sends off his mother and younger siblings to hide while he and his older siblings wait for the men. This is a battle between three kids against experienced fighters. Few years back Temujin’s father, the khan of the Wolves tribe, was killed by a Tartar raiding party. Following this murder, the khan’s bondsman took over the tribe and expelled Hoelun and the children, leaving them to die in the unforgiving harsh winter of the steppes.
Surviving without a tribe or the protection of a khan is hard. If the winter did not kill them, a herder would. But they survive by catching birds, animals and fish for food. They also practice with the bow and sword for such a day. But that didn’t help eventually. Temujin was captured and taken to the Wolves camp, humiliated and marked for death. But the man would not die. He escapes, makes it back to his family and starts building a tribe by collecting the wanderers and offering them a family. According to Malcom Gladwell’s Outliers, to be proficient in a skill, you need to put at least 10,000 hours of work. By that measure Temujin had put more than that.
Con Iggulden’s novel — the first part of a trilogy — is about the rise of Genghis Khan and how he unites the tribes of the steppes. One question that is of interest for anyone who has read about Genghis Khan is this: what motivated him to unite the tribes which had been at war with each other for millennia? There is no direct answer, but a partial one. He sees the Chin envoy using the tribes to cater to their needs. In this specific case, the envoy requests Temujin to join forces with another tribe to take care of the Tartars. A foreigner meddling in the affairs of the tribes, rattles him. Genghis Khan unites the tribes, initially to fight the Tartars and later the Chin. As Iggulden writes in the epilogue, “If Temujin had not come to see the Chin as the puppet-masters of his people for a thousand years, he may well have remained a local phenomena.”
Besides the vision, another important issue was survival. First, he survived the winter, which eliminated the weak. Second important point was luck: his father’s bondsman could have killed him, but he did not. Even towards the end of the book, there is a scene where the bondsman of another tribe walks into Temujin’s ger to kill him. The khan is drunk and asleep and he could have been easily killed. But the man who came to assassinate was once pardoned by the Temujin and he felt that the debt should be repaid. So he wakes the khan and confesses.
Iggluden’s novel draws a great verbal picture of the life of the steppes where everything belonged to whoever had the strength to take and retain it. Even though they fought each other, relations were cemented through marriage.There were customs — like guest rights — which were followed by all. The horse was man’s best friend: during a battle, the Mongol would nick the vein, drink the blood and patch it with dust and water. Thus during war, no supply lines were required.
From a structural perspective, it would have been boring if the novel only had Temujin’s point of view. Instead, whenever possible, multiple threads are introduced. When Temujin is expelled from the tribe, there is a thread that follows the life of the bondsman who expelled him. There is another thread which follows Wen Chao, the Chin ambassador who is out to manipulate the tribes. When Temujin is taken as captive, we also get to see how his siblings survived. This keeps the excitement flowing, as well adds depth.
Iggluden masterly narrates huge battles. First Temujin starts with simple raids and then expands to capturing various tribes in his ruthless quest for power and revenge.There is a final battle which involves at least four major tribes against the Tartars involving thousands. The archery and maneuverability of his troops as well as their fast riding ability is what won his his battles; a picture well painted in the book.
Segei Borodov’s 2008 movie, Mongol, too dealt with the same span of Temujin’s life. Both these works claim to be based on the The Secret History of the Mongols, an anonymous Mongolian account of Genghis Khan’s life, but they differ vastly. In Bodorov’s movie, the love between Borte and Temujin was the main thread. Iggulden’s novel is about Temujin’s survival and execution of the vision of uniting the tribes. They differ even on minor points. In the movie, Temujin’s father is poisoned; in the novel he is attacked by Tartars. In the movie, Borte is kidnapped by a rival gang and she spends some time with them before she is rescued; in the novel, she is rescued within a few days. In the movie there is a whole story of Jamukha, his blood-brother which is absent from the novel. Basically both of them have taken creative liberties. We probably need to use Richard Feynman’s concept of multiple histories to figure out what really happened. Or we could read the primary source.
Genghis: Birth of an Empire: A Novel by Con Iggulden, Paperback: 416 pages, Publisher: Bantam (July 13, 2010)
Review: The Pacific
In his New Yorker piece titled, Hellhole, Atul Gawande describes what happens to prisoners in solitary confinement.
After a few months without regular social contact, however, his experience proved no different from that of the P.O.W.s or hostages, or the majority of isolated prisoners whom researchers have studied: he started to lose his mind. He talked to himself. He paced back and forth compulsively, shuffling along the same six-foot path for hours on end. Soon, he was having panic attacks, screaming for help. He hallucinated that the colors on the walls were changing. He became enraged by routine noises—the sound of doors opening as the guards made their hourly checks, the sounds of inmates in nearby cells. After a year or so, he was hearing voices on the television talking directly to him. He put the television under his bed, and rarely took it out again. [HELLHOLE]
War can be equally fatal on the mind. There is a scene in The Pacific where an American soldier is seen casually throwing stones into the blown up head of another soldiers as if it were a dustbin.In another when they are waiting in the dark for the Japanese, a soldier panics and shouts and the others kill him with the comment, “Better him than all of us”. Another soldier just blows his brains out unable to take it anymore.
The HBO miniseries, The Pacific, is about the American war against Japan, fought in various islands in the Pacific Ocean following Pearl Harbor. It follows the lives of three soldiers — Robert Leckie, Eugene Sledge and John Basilone — as they fight battles in tiny previously unheard islands, facing not just the Japs, but their own minds as well. The series is based on With the Old Breed: At Peleliu and Okinawa by Eugene Sledge and Helmet for My Pillow by Robert Leckie as well as the memoir of a marine who fought along with Basilone.
Basilone, a gunnery sergeant, was sent to Guadalcanal where he successfully repelled a Japanese attack on the American lines; Basilone single-handedly kept firing at them, thus denying them a victory. This made him an instantly recognizable hero in America where he is sent to sell war bonds. Being a soldier selling war bonds is not to his liking. He enlists again and is sent to Iwo Jima along with 30,000 marines; he is killed on the first day.
Robert Leckie too was present in Guadalcanal witnessing the carnage and he writes about it to his neighbor Vera. Also during an R&R in Australia, he courts a Greek immigrant Stella, but eventually Stella breaks up with him as she knows his fate. Eugene Sledge could not initially join the war since he had a heart murmur, but he eventually joins. On the island of Pavuvu, he catches enuresis and almost loses his mind. He has a debate with Leckie on faith and God. Sledge is then involved in the capture of the airfield on the Peleliu. Once the beach is secured, they attempt to cross the airfield and face heavy gun fire. He gets shot and is evacuated to their ship.
He comes back again and faces battles where they face Japanese gun fire from the caves. The Japanese had built tunnels in the coral mountains and the intelligence had no clue. In a month of fighting, there were 6500 casualties, but the island was not used again. The final battle is fought in Okinawa and they hear about a new bomb which was dropped in Japan ending the war.
Following the first attack on American soil by a foreign power since 1812, there was heavy enthusiasm among Americans to enlist to fight the Japanese, but these young men did not know what they were getting into. The enemy was not just the ‘Japs’, but the tropical jungle where they had to face non-stop rains, leeches, crabs, rats, and poisoned water supplies.This has to be contrasted with the battle locations shown in the other HBO series, Band of Brothers, which was fought mostly in the towns of Europe.
The war has been presented unlike anything I have seen before on screen. It delivers a simple message visually: war is hell. It is an expensive HBO production and with executive producers like Tom Hanks and Steven Speilberg, no compromise was made in recreating the battles; the level of detail present in the Normandy scene in Saving Private Ryan is there in each episode. It is not a sanitized version of history; the crimes on both sides are depicted.
But what gives depth to the series, is how the war affects the mind. In Okinawa, where the Japanese used human shields, there is a scene when Sledge and “Snafu” hear a baby cry from a hut. They are not sure if it is a trap. They had been in one instance before where a woman who was booby trapped was sent with a crying baby into the midst of American soldiers and they had to shoot her. This time they walk into the hut and find a baby crying and the mother dead. They stand unsure what to do. The tension is palpable. Right then another soldier walks in and carries the baby away. In the same hut another wounded Japanese woman asks Sledge to shoot her and lifts his gun to her forehead.
The series ends with Leckie, Sledge and his companions coming back home. They have to decide what to do. Leckie finds a job as a reporter and marries the girl to whom he was writing all those letters. Sledge is unable to decide what to do. He says he will never wear the uniform again and breaks down on a hunting trip; he says will never be able to shoot again.
Writing Historical Fiction (5): Research
Langum Prize for American Historical Fiction for 2010 has gone to Ann Weisgarber for The Personal History of Rachel DuPree. This book does not tell the story of murder or hidden treasure or scheming viziers, but is about black settlers in the American West. This is not my cup of green tea, but here is a snippet from an interview with Ms. Weisgarber on how she did the research.
Next I had to learn about the issues that shaped Rachel when she was a child and a young woman. This called for history lessons about black culture. I discovered popular music, slaughterhouses in Chicago, and race riots in East St. Louis. I discovered Ida B. Wells-Barnett and admired her greatly. So did Rachel. Absorbing the culture was another step toward my seeing the world through Rachel’s eyes.
Last, I had to learn about the mindset of the time period. I read novels and diaries written before and after the turn of the 20th Century. I discovered Rachel’s story was not unique; most women in the West, including Indians, struggled to feed their children. Many women lived with determined men. Heartache and homesickness were not unique experiences, but shared by many women. Rachel was one woman among many
My background in sociology pushes me think about my characters as people of their times. I believe it’s important to include references to literature, to music, and to popular culture. Characters don’t live in vacuums but are influenced by the news of their day as well as by events in the past. Newspaper headlines impact lives.[An interview with Ann Weisgarber]
Briefly Noted: Centurion (2010)
The Roman Ninth Legion is a favorite topic of movie makers and novelists. The movies include the forgettable Aishwarya Rai starrer The Last Legion (2007) and upcoming The Eagle (2011) and the novels include Stephen Bennett’s Last of the Ninth and Rosemary Sutcliff’s The Eagle of the Ninth. The British film Centurion deals with the legion’s adventures against the Picts in 117 C.E.
Why this interest in the Ninth legion? Around 117 C.E, the legion disappeared in Britain like how the army of Cambyses II vanished in the Egyptian desert. There are many explanations for this disappearance: some think they perished in the Bar Kochba Revolt while other suggest it was in the conflict with the Parthians. In this movie, Neil Marshall, provides another explanation.
The movie is the swords and sandals version of The Seven Samurai. When their legion is decimated by the Picts (a visually stunning scene) and the General kidnapped, seven survivors decide to rescue him. They reach the Pict camp, but fail to unlock the General’s chains, thus leaving him to his death. The seven then decide to return back to the Romans who have moved to Hadrian’s Wall, but are chased by the Picts. Some survive, some don’t.
Being a plot driven action movie, it does not have much time for character development like Gladiator. There is action — chases, battles, torture — right from the start as if James Bond time traveled to the second century. Even if you have been saturated with Roman violence, this one takes it up a notch. It is a watchable movie: not a classic and not so bad either.
Briefly Noted: The Hangman's Daughter by Oliver Pötzsch
The Hangman’s Daughter by Oliver Pötzsch, 448 pages, AmazonCrossing (December 7, 2010)
Oliver Pötzsch’s historical thriller is set in 17th century Schongau, a small town in Bavaria. This is a place where chamber pots are emptied into the streets, coffee is not served in inns like in Paris, and streets are not lighted. This not Istanbul or Amsterdam where there are layers of history, but a town which has parochial politics and social issues.
The novel starts with the murder of an orphan boy who has a mysterious tattoo. Soon other orphans are killed and this gets the attention of the hangman Jakob Kuisl who decides to investigate. An expert of not just torture and murder, Kuisl knows medicines very well too. The matter gets urgency when the town’s midwife — the one who bought Kuisl’s children into the world — is accused of witchcraft and murder and has to be interrogated. Before a pre-ordained justice is inflicted on Martha, Kuisl has to find the real culprit with his homespun skills.
As Jakob Kuisl navigates through the clues, many strange events happen: a man known as the ‘Devil’, is spotted by a few people in suspicious circumstances; a storage facility is burned; the building site for a leper colony is vandalized. Before the arrival of Count Sandizell, the Elector’s secretary, the mastermind has to be found, else many women in the town could be burned as witches.
After the initial brouhaha, events move at the pace of a Roman Polanski movie, but right after the midpoint, it moves as fast as a Nicholas Cage-Jerry Bruchkeimer movie. The segments are short, the action is quick. Also as the investigation proceeds, we get an idea of the social structure of 17th century Bavaria. The Thirty Year War was over and people had returned to their small town with haunting memories and broken limbs. Witchcraft was feared, so was the hangman. Law and order is maintained by the stentorian town clerk, ruling as a proxy for the Count. He is assisted by a council, a few moneybags who got their position by virtue of birth. Various guilds practiced trade; trade routes and their safety were important. The book provides just enough information about the period, though a bit more on the local traditions and daily rituals would have made it richer.
Among the characters, the hangman, due to his profession is quite interesting. Unlike Jason Goodwin’s eunuch detective Yashim, who has admirable social skills, Kuisl is feared by the town. He is strong, being an ex-army man, and is able to challenge the villains physically. At the same time, he is doting father of gentle heart who hates to see a innocent burned on the stake.Though Kuisl is the main character, there are scenes written from the POV of other characters like the town clerk and the young doctor Simon Fronwieser who makes some major discoveries. Some scenes are written from the point of view of Magdalena, the hangman’s daughter, but she plays only a minor part in the proceedings. But compared to Kuisl, other characters are not multi-dimensional.
The book is a good read and it would have been better if it was shorter.
Briefly Noted: Mongol(2007)
Sometime in the 12th century, a boy was born in a small nomadic tribe in steppes of north-east Asia. Little did anyone guess that this boy, born in a society which did not have agriculture or cities and grew up drinking mare’s milk, would one day unite not just the warring tribes but unify China with the Muslim and Christian kingdoms to create an empire. That boy, Temüjin — who later asked the Pope to come and submit to him — is better known as Genghis Khan. Sergei Bodrov’s big-budget movie shows the life of the most famous Mongolian till he becomes the Great Khan.
The boy did not grow up amid unsurpassed luxury. Life in the steppes is hard; the Mongol tribes face extremities of weather as well as competition from other tribes for resources. Besides the usual existential threats, the boy had to face death, not once, but at least three times. Once when a rival leader takes over the clan after Temüjin’s father’s assassination, he is marked, but spared because he is a boy. This event repeats once more. The third time, as an adult, he is sold into slavery and kept in a cell with one window. He survives all adversities like Louie Zamperini, the hero of Laura Hillenbrand’s Unbroken: A World War II Story of Survival, Resilience, and Redemption.
But the movie is a love story as well – between Börte whom he chose as his wife when he was 9. When she is abducted by a rival tribe, Temüjin with his blood brother rescue her. When Temüjin is held as a slave in the far away Tangut kingdom, Börte offers herself as a concubine to a merchant to hitch a ride and bribes the guards to save her husband. Börte is a strong woman which is not surprising. When the men go off to war, it is the women who watch the animals and take care of the tribe; When a Khan dies, until a new one is elected, his mother or wife is in charge of the tribe.
Besides this, the Mongols are driven by two other relationships to reduce conflict. One is that of the blood brother: when two individuals from different tribes become blood brothers each one is obliged to help the other. When Temüjin was once almost frozen to death as a child, he was saved by another kid, Jamukha, who becomes his blood brother. It is this blood brother who later helps him save Börte. But these relations are not forever; it is the same Jamukha who sells him into slavery. The second relationship is with the Khan. Once someone is recognized as a great leader, people remain loyal to him. The Khan, in return for this loyalty, offers booty.
A large part of Mongol life is spent in skirmishes: over women, over horses, over resources. It is after attaining freedom from the Tangut prison that Temüjin thinks of putting an end to hot-tempered personal ambitions and unifying the tribes with shared values. In the movie he does that by defeating his blood brother turned enemy Jamukha in a lavishly filmed battle scene. He also comes up with some rules of conduct — “Don’t kill women or children. Don’t forget debts. Fight enemies to end. Don’t betray the khan”. Not shown in the movie is the fact that Temüjin also used the Pakistani strategy of channeling anger towards an external enemy. It works and Genghis Khan is born. The movie ends here, but according to the reliable Wikipedia, Sergei Bodrov is working on the second part of the trilogy.
(Credits: Image via Wikipedia)
Briefly Noted: Nanook of the North (1922)
In 1910, Robert Flaherty was hired by William Mackenzie, a Canadian railway entrepreneur, to prospect in the area east of Hudson Bay (Canada) for railway and mineral potential. He made four lengthy expeditions and came into contact with the Inuit people who lived in that frigid and extreme climate. During one of his expeditions, he bought a movie camera along and made a documentary — a genre which did not exist — about their lives and survival techniques. That film called the Nanook of the North was released in 1922.
The movie follows an Inuit family — husband, wife, kids, dogs — as they go about their lives foraging for food. For them, food is the primary concern and they go wherever food is available. Sometimes they find a region with lot of fish; sometimes there is a walrus or a huge seal. Since the game is unpredictable, the entire family is on the move. Once they make the kill, they eat, feed the dogs, build an igloo and spend the night. The next day, the nomadic routine starts all over again.
While we see snowy white all over, the Inuit sees the landscape differently. He for example knows exactly where the fox trap is. Without such intimate knowledge of the land, there is no chance of survival. There are other strategies to survive too. In an area, the size of UK, there are 300 Inuits, but no one lives alone. They live as a group with total co-operation. At the same time, the group cannot be very large. With small groups, a small amount of food — a walrus or seal — is sufficient. Also, small groups don’t finish off all the available resources.
Since they are constantly mobile, they don’t carry unwanted luggage, but just what is hard to replace or time consuming to make (e.g. tools). It is an amazing scene as they settle for the night. It takes the Inuit an hour to build an igloo, complete with a window. They undress and use their dress as the mattress and blanket. The dogs stay outside and pups stay in a small igloo. The next day, they just walk away from the igloo like any modern American householder who has put 0% down payment on his house.
This black and white silent movie with English intertitles is not very authentic in some places. The family shown in the movie was not a family, but just a photogenic cast. The Inuits had started using rifles and Western wear by this time. Some hunting scenes were staged. Despite this, the movie is interesting for one reason. Agriculture has been around for only 10,000 years; 99% of human history was spent as foragers. Now that our supermarkets offer potato chips with varying levels of cholesterol, it is interesting to see how people lived without agriculture, how they killed fish by biting off its head and how they lived eating raw walrus meat.
References:
- Lecture 10, 11 & 12 of MMW1 by Prof. Tara Carter, UCSD.
- Image via Wikipedia