Indian History Carnival-81:Purnaiah & Talleyrand, 1857, Indians in World War I

Pavan Srinath compares the lives of Krishnamacharya Purnaiah and Charles Maurice de Talleyrand-Périgord and finds similarities.

Krishnamacharya Purnaiah (also spelled Purnaiya) started managing the finances of Mysore under Hyder Ali, slowly moving to manage much of the state’s administration as well. Helping manage an easy transfer of power to Tipu upon the death of Hyder Ali, Purnaiah continued to be a close confidante and aide to Tipu Sultan. After the defeat of Tipu, he continued on under the British and was then appointed Dewan as the British allowed the Wodeyar family back into power in the early 19th century.
Madhulika Liddle writes about the monuments that were destroyed in the Anglo-Indian war of 1857 in Delhi

In 1857, Baadli ki Sarai suddenly shot into prominence, because it became the site of a landmark battle: the Battle of Baadli ki Sarai, fought on June 8, 1857, between about 4,000 rebels (who had occupied the sarai and were defending it) and the besieging British forces. The British won, and Baadli ki Sarai became, over the following years, almost a sort of pilgrimage for Empire-loving British tourists who came here to gloat over the wonderful victory.
In the post titled Recruitment and literacy in World War I: Evidence from colonial Punjab, Oliver Vanden Eynde argues that higher post-war literacy in the recruited areas like Punjab were due to the learning opportunities in the army.

The analysis confirms that, between 1911 and 1921, literacy rates (as well as the number of literate individuals) increased significantly in heavily recruited communities. This effect is strongest for men of military age, which is consistent with the hypothesis that soldiers learned to read and write on their foreign campaigns. My estimations suggest that for every ten additional soldiers recruited from a community, the number of literates in the community on average increased by three individuals after the war.
A large number of Indian soldiers fought in the First World War, especially in the Middle East and they are largely forgotten, writes Vedica Kant

However, the most significant campaign of the war for Indian troops took place in Mesopotamia (modern-day Iraq). The Mesopotamia campaign started off as an entirely Indian Army operation. 588,717 Indians – i.e. nearly 40 per cent of all Indians who were involved in World War I – served in Mesopotamia, more than in any other single campaign during the war. In a parallel with Iraq’s more contemporary history, the decision to expand the conflict to Mesopotamia was driven by the desire for oil. The Government of India decided to deploy an expeditionary force in the region to protect its oil interests there. For a majority of Indians their experience of the war was not that of a bitter European winter but of the dramatic swings between extreme heat and dust and the chilly winters of the Arabian Desert.

The next carnival will be up on Dec 15th. Please send your nominations before that.

Indian History Carnival-80: Medicine and Colonialism, Atmaram Jayakar, Prem Nem, Sven Gahlin, Camels

Imperial and Global Forum has a review of the book Medicine and Colonialism: Historical Perspectives in India and South Africa

Self-consciously aiming to be a comparative work and taking material from India and South Africa, it takes its cue from earlier works that aimed to ‘de-centre’ the metropolis-periphery model of conceptualising empire and colonialism.While re-asserting the centrality of medical knowledge and practices to colonial rule, and the importance of the bodies of the colonised as sites for the exercise of colonial power, the book aims to move beyond a model of hegemony, domination and control. Instead, as the introductory essay outlines, the book’s trans-national methodology is intended to highlight ‘policies of European adaptation and resistance to initiatives of the colonized’ and the ‘transfer of ideas and knowledge in mutual engagements.’
The British Library blog has a post about Atmaram Sadashiva Grandin Jayakar, who was a long serving Medical Service officer based in Muscat at the end of the 19th century.

Described by his one-time Muscat colleague Percy Cox as ‘a man of great industry and scientific bent’, Jayakar dedicated his spare time to the pursuit of scientific exploration and understanding. He collected scores of wildlife specimens from the desert sands, as well from the shores and waters off the Oman coast. The English explorer Theodore Bent, who visited Muscat in 1899, described Jayakar’s house as being ‘filled with curious animals from the interior, and marvels from the deep’. Jayakar sent many specimens not previously collected or studied to the British Museum in London. Numerous species are named in Jayakar’s honour, including the Arabian Sand Boa (Eryx Jayakari), a lizard (Lacerta Jayakari), a species of goat (Arabitragus Jayakari), a scorpion (Hottentotta Jayakari) and several fish, including the seahorse Hippocampus Jayakari. – See more at: http://britishlibrary.typepad.co.uk/untoldlives/2014/08/a-polymath-in-muscat.html#sthash.fGTCyAhw.dpuf
Prolific Carnival Contributor Fëanor writes about Prem Nem, a book of paintings from the finest arists of Deccan

There are thirty-four illustrations in the Pem Nem, mostly of ink and watercolour and gold and silver, made by three different artists. These paintings had been done on pieces of paper that were then pasted onto the sheets of the manuscript. It’s not entirely clear if these artworks were made at the same time as the manuscript was written. The author of the book was Hasan Manju Khalji. Interestingly, no other books by him are known. The calligraphy is lovely and clear, but as he wrote masnavi couplets in a Deccani Urdu that contains admixtures from Marathi and local dialect, it is difficult to understand today. The text is a narrative poem in rhyme, describing the Sufi’s love of and quest for God.
There are photographs of India taken a few years after the invention of the technology. The post Picturing India: The Collection of Sven Gahlin has few of of those images
Maddy writes about the role of camels in the history of trade

The Trans Saharan trade became an important one at the turn of the anno domini or somewhat earlier. The general contention shared by Ilse Kohler and Paula Wapnish is that the 12-15th century BC is when the camel got domesticated. However considering Mason’s theory that it evolved in Arabia around 3,000BC, the period in between needs further analysis. It is also clear that there were three broad classifications of the dromedary, the beast of burden or the baggager, the riding camel and the milking camel. It is also clear that those North African Muslim traders usually set out with their camels well laden, in a fat and vigorous condition; and brought them back in a bad state, that they commonly sold them at a low rate to be later fattened by the Arabs of the Desert (Consider the analogy with second hand cars!).

The next carnival will be up on Nov 15th or the weekend following that.

Indian History Carnival–79: Monasteries,Wodeyar, Ali Asker, Railways, Feminism

Ananya Deb visits the Buddhist monasteries in Maharashtra and has some pictures as well

These five spots, when plotted on the map, reveal that they are on two lines going east from the sea – one going North East, the other South East. They run in the same direction as two major highways which emanate from Mumbai – NH3 and NH4. The ASI informs us that this is not coincidence. In effect, there were ancient trade routes from the port town of Sopara (present day Nalla Sopara) which connected with the great cities inland include Pratishthana (modern day Paithan) which was the capital of the Satavahanas who reigned between the 3rd century BCE to 2nd century CE. The immediate conclusion is that, like the serais on the Silk Route, these monasteries were specially constructed on these trade routes and served as rest places for traders.
Sandeep writes about Krishnaraja Wodeyar III, the cultural founder of the modern Mysore state.

It was only the courage, patience and sacrifice of Lakshmi Ammani that kept the Wodeyar dynasty still alive. She bided her time and watched as Tipu’s excesses became excessive and he made enemies with every king and power in South India including the British. She opened up discreet communication channels with all enemies of Tipu, and finally concluded a successful negotiation with the British who promised to restore the Wodeyar dynasty to the throne of Mysore if Tipu was defeated. The fateful day arrived on 4 May 1799 when an ordinary British soldier shot Tipu in the head with his musket.
The Ali Asker Road in Bangalore connects Infantry Road to Cunningham Road. bangaloregirl writes about the man after whom the road was named.

Haji Mohammed Hashim and Mashadi Qasim returned to Shiraz in 1825, leaving behind their youngest brother, Aga Ali Asker to expand the business. He was born in 1808, around the same time the Bangalore Cantonment was being built. While Aga Ali Asker’s great-great grandfather, Tarverdi and his son Allaverdi had spent their entire lives in Tabriz, it was Haji Murad, Allaverdi’s son (Aga Ali Asker’s grandfather), who migrated to Shiraz with his family in the 18th century. Here, he proceeded to buy large estates and successfully invested his capital in property. A few decades later, the fortunes of the family were on the move again. The three brothers took leave of their father, Haji Abdullah and set sail on a bold and courageous journey to India, an unknown land.
What was the economic impact of the British effort in building railways in enslaved India? Dave Donaldson used the British government records to find the answers

2.By estimating the effect of India’s railroads on a proxy for economic welfare in colonial India. When the railroad network was extended to the average district, real agricultural income in that district rose by approximately 16 percent. While it is possible that railroads were deliberately allocated to districts on the basis of time-varying characteristics unobservable to researchers today, I found little evidence for this potential source of bias to my results. In particular, railroad line projects that were scheduled to be built but were then cancelled for plausibly idiosyncratic reasons display no spurious ‘effects’ on economic growth.
Shahida writes about the role Indian women played in feminist movement in 20th century England

Sophie Duleep Singh, of Asian descent, was born in Norfolk. She caught typhoid as a child. A battler, even at nine, she recovered from the fever but sadly, her mother did not and Sophie’s father left his children in the care of foster parents. As Sophie grew, her social life and connections flourished and she joined the WSPU, becoming an active campaigner and fundraiser for women’s rights. She was also a member of the Women’s Tax Resistance League and made many appearances in court for non-payment of taxes. She strongly opposed the injustice of making a woman pay taxes when she had no right to vote or voice her opinion on how those taxes were spent. In 1911, Sophie was fined by the courts for refusing to pay taxes due on her five dogs and man servant. The courts also impounded her diamond ring and auctioned it off. However, the auction was attended by many women’s right campaigners. One of these was a Mrs Topling who purchased the ring and promptly returned it to Sophie.

Thanks Fëanor and @karthiks for the recommendations. The next carnival will be up on Sep 15th.

Indian History Carnival-78:Bom Jesus, Guruvayoor, Deccani paintings, P N Oak

Guruvayoorappan's Elephants at Punnathoor Kotta — Guruvayoorappan’s Elephants at Punnathoor Kotta (photograph by author)

Maddy has the fascinating tale of Bom Jesus, which left Portugal in 1533 with 18 tons of Fugger’s copper, 4 tons of tin, elephant tusks, gold and silver. The ship went missing and was discovered 475 years later.

The Nau Bom Jesus was one among them and all of 400 or so tons in displacement. That the Portuguese knew how to build sturdy ships is clear, but you must also understand that the life of such a ship was not more than four or five years. Usage of nails, galagala caulking, lead in the seams, and a final black coat of pine tar from Germany gave these ships a sinister look. The heavy guns and cannons they carried for defense made them difficult to confront. The crew comprised a captain major, a deputy, a captain, a record keeping clerk (the royal agent – like our Barros or Carrera), a pilot and a deputy pilot. Then came the master, the boatswain, ships boys, pages and the sailors or seamen. We can also see chaplains, German bombardiers, stewards, specialist technicians like carpenters, caulkers and barber surgeons in this group.
The Calicut Heritage Forum discusses the origins of the Elephant Race at Guruvyaoor Temple

There was once some misunderstanding between the authorities of the two temples and Trikkanamathilakam temple authorities wanted to teach the smaller Guruvayur temple a lesson by not sending the elephants for the festival. The elephants were tethered at the Trikkanamathilakam temple after the festival there. Apparently, the elephants managed to break the iron chains at night and ran all the way to Guruvayur temple, with their bells clanging and reached the temple well before the time for the ezhunnallathu (the ceremonial procession of the deity).
The Asian and African studies blog has a post containing Deccani paintings from the 17th century onwards

Kurnool, some 120 miles south of Hyderabad, became in the 18th century semi-independent under its own Pathan Nawabs. It was captured by Haidar ‘Ali of Mysore, and in 1799 was given to the Nizam at the division of Tipu Sultan’s territory. It was ceded by him to the East India Company in 1800, although the Nawabs were left in charge in return for a tribute to Madras. The last of them was judged guilty of treasonable activity in 1838 and the territory was annexed, although left in the charge of a British Commissioner and Agent until 1858 rather than under the normal Collector and Magistrate of British India. The arts flourished under the Nawabs and an offshoot of the Hyderabad style of painting can be located there (Zebrowski 1983, pp. 272-3). In the 19th century Kurnool produced paintings on leather of both Hindu and decorative subjects, but this painting by Kurnool artist would seem to be a rare instance of a Deccani ‘Company’ painting. The artist has combined a delicate Deccani approach to landscape with the more naturalistic traditions associated with European portraiture.
Koenraad Elst takes to task those who think that Vatican was originally a Shiva temple and has other miscellaneous crazy ideas.

In fact, the shape of the church is standard, and therefore the claim implies that most classical churches, thousands of them, are really shaped like Shiva Lingams. If your eyes are very hazy, you might indeed get the impression of a similarity. This school is quickly satisfied with a mere semblance of similarity. Thus, a 3-shaped sign in the undeciphered Indus script is declared to be Om/Aum sign; as is a door ornament on the Red Fort, equally deemed to have been “originally a Hindu temple”. But even if a more perceptive look were to confirm this impression of similarity, it doesn’t prove a causal relation. The likeness between vatika and Vatican is claimed to “prove that the Vatican was a Hindu (Vedic) religious centre before its incumbent was forced to accept Christianity from 1st century AD”. No, this phrase merely shows the miserably low standards of proof applied by the Hindu history-rewriters. Also, no evidence is attempted, or known from elsewhere, for the momentous replacement or forcible conversion of this Vedic pontiff.

The 79th carnival will be up on Independence day. If you have any nominations, please leave a comment.

Indian History Carnival–77: Cultural Treasures, Maratha and Deccani Paintings, Ehrenfels, Margaret Lee Weil

As the new government has taken over, Vijay makes an important point that it should pay attention to safeguarding India’s national treasures and in recovering it from around the world.
The Asian and African studies blog has Part 2 of the Maratha and Decaani paintings.

The remaining five paintings in the album are all from a large Hyderabad-type series of the Rasikapriya, the classic text by Keshavdas on Hindi poetics that the author wrote at Orccha in 1594 for Kunwar Indrajit Singh, the brother of the ruler Raja Ram Shah of Orccha (1592-1605). Although a literary work, it was written in the context of the Vaishnava revival in northern and western India in the 16th century. Keshavdas took the love of Krishna and Radha out of the pastoral settings of the Gita Govinda and placed it in a courtly ambience. He used their relationship to explore all the different kinds of literary heroes and heroines and the erotic sentiment (sringara rasa) in all its variety
The 1980 Gregory Peck movie, The Sea Wolves, was based on an attack on a German ship which had been trasmitting information to U-boats from Goa. Maddy goes behind that story and writes about the The Story of Ehrenfels at Goa

The story of these four ships and their crew is what this is all about and one which was kept secret by the British and Indian governments until 1978. Interesting, right? Well, that it certainly was and as we unfold events around this story, we will travel down from Assam to Calcutta, then to Cochin and finally north to Goa. We will meet many nationalities, Indians, Germans, Brits and what not. As events turned out, the previously introduced motely group called the Calcutta Light horse were to get connected to this somewhat important operation of the SOE in India.
In 1952, Margaret Lee Weil reached India to write about and photograph a man she admired – Jawaharlal Nehru. India Ink blog has an entry on her trip following Nehru and Indira on their vacation in the valley of Kashmir.

Ms. Weil asked Mr. Nehru if she could take pictures of him for Collier’s, an American magazine. “I don’t care who takes my pictures as long as they don’t get in my way,” he snapped, according to one entry. A 34-year-old Indira Gandhi, according to Ms. Weil, had “long dark hair and a narrow sensitive face – a double of her father’s.” Mr. Nehru, in Ms. Weil’s words, appeared “every inch the statesman,” and “amazingly youthful for a man in his sixties.”

That’s it for this month. The next carnival will be up on July 15th. Please send your nominations to varnam.blog @gmail

Indian History Carnival-76: Ramayana, Tipu, Coolie Woman, Palghat Achans

The Asian and African studies blog has been writing about the influence of Ramayana in various countries in India’s neighborhood. Here are the links: Cambodia, Thailand and Laos, Indonesia and Malaysia, Burma

In the Malay Muslim courts of the archipelago, literary traditions now transmitted using Arabic script continued to reflect deep-seated Hindu-Buddhist roots. The Malay version of the Ramayana, Hikayat Seri Rama, is believed to have been committed to writing between the 13th and 15th centuries. One of the oldest Malay manuscripts in this country – and probably the oldest known illuminated Malay manuscript – is a copy of the Hikayat Seri Rama now held in the Bodleian Library, Oxford, which was in the possession of Archbishop Laud in 1635. The Malay version originated not from the classical Ramayana of Valmiki, but from popular oral versions widely spread over southern India.
Blake Smith writes about Tipu’s tiger automaton, stolen from India and displayed proudly at London’s Victoria and Albert Museum. The following paragraph is a prime example of the white washing of history still going on.

But perhaps we are the ones preoccupied with it. The importance of Islam to Tipu’s reign continues to be debated, often viciously, in South Asian academia and popular culture. Certain Hindu fundamentalists and conservatives portray him as a Muslim bigot who does not deserve the reputation for anti-colonial nationalism he has been given in an influential strain of nationalist history-writing. Without a doubt, Tipu oppressed some native Christian and Hindu communities, which he suspected of collaborating with his British enemies. But ‘jihad’ is a poor, and politically dangerous, way to characterize his policies. He fought Muslim rulers like the Nizam of Hyderabad, and sought alliances with non-Muslim states such as France. He may have been ruthless, but he was hardly the archetypal Islamist war-monger of neo-con nightmares.
Chaya Babu has a review of Gaiutra Bahadur’s book Coolie Woman: The Odyssey of Indenture which is about Bahadur’s great grandmother who left India in 1903 to the Carribean.

This is in the preface, before a story of the women who knowingly or unwittingly became the nexus of a brutal system of indentured servitude, imperialism, and stringent patriarchy. Bahadur provides further context of what migration for such purposes did for Indians – stripping them of caste, community, companionship, and all other structures that formed the base of their lives on the subcontinent. With this, they were given the name “coolie,” defining them primarily by their collective status as menial workers, a marker of identity that evolved to an ethnic slur and stuck with their descendants.
Maddy writes about the Palghat Achans and the events which prompted Hyder Ali’s intervention in the region.

As it is stated in the grantha, the Pangi Achan (nephew of elayachan edam thampuran), Kelu achan of Pulikkel edam and a few of the important regional heads travelled to Coimbatore to meet the Sankara Raja who gave them known emissaries to accompany them to Srirangam (Mysore – Srirangapatanam) to meet the Dalawa there. From there they were redirected to meet Hyder Ali who was the Faujedar or commander in chief of the infantry at Dindigul, nearer to Palghat. Hyder then deputed his brother-in-law Muquadam Ali with his forces to Palghat. This resulted in a severe war with the Zamorin’s forces in Feb 1758 where the Mysore forces were victorious. Muqadam Ali’s forces withdrew after collecting their compensation by way of gold melted out of the ornaments worn by the Emoor bhagavathi (the tutelary deity of the Palghat Achans), as rakshabhogam (equivalent of 12,000 old Viraraya fanams). The Zamorin it is said (not in this grantha though, but in British records) apparently sued for peace by promising to pay 12,00,000 fanams as reparation.

The next carnival will be up on June 15th. Please send your nominations by e-mail to varnam.blog @gmail. Thanks Fëanor for his nominations.

Indian History Carnival–75: Tipu Sultan, Archimandrite Andronicus, Shahjahanabad

Louis XVI Receives the Ambassadors of Tipu Sultan (1788)

Calicut Heritage writes about Tipu’s antics in Calicut from the diaries of Francois Fidele Ripaud de Montaudevert who was part of Tipu’s army that went into Kerala. A lot of historians have explained that most of the anti-Tipu narratives come from his enemies, the British, and cannot be trusted. So it is interesting to read what one of his allies had to write.

Another entry of Ripaud relating to Calicut, reads: “To show his ardent devotion and steadfast faith in the Mohammedan religion, Tipu Sultan found Kozhikode to be the most suitable place. Kozhikode was then a centre of Brahmins and had over 7,000 Brahmin families living there. Over 2,000 Brahmin families perished as a result of Tipu Sultan’s Islamic cruelties. He did not spare even women and children.”
Maddy too writes about Francois Ripuad and how he bought about the downfall of Tipu

On one side this led to the British conjuring up an international Jacobin plot, touching the distant tip of South India while on the other side Tipu was now determined to obtain the required support from France through the isle of France and prepares a new Secret embassy of two or three persons to sail to Mauritius with Ripaud. This is of course downplayed by various writers taking the ‘Tipu is a martyr’ line – Some leave out this entire Ripuad chapter from their accounts of the glorious Tipu, in fact one even goes on to say that Tipu actually sent his emissary to obtain artisans from Mauritius! Well that was a tall tale, in my opinion, taller than that narrated by Ripaud when he landed in Mangalore!
Fëanor writes about Archimandrite Andronicus, who spent 18 years in India, trying to setup a Russian Mission

Andronicus died in 1958. His book Eighteen Years in India was published in the Russian language in Argentina the next year. A review appeared in the Bulletin of the Russian Student Christian Movement, praising his selflessness, elevating him as an outstanding evangelist, talked about the lonely heroism of his mission, and celebrated his memoir a special example in the literature of exile. Others familiar with his work in India pointed out that his mission was essentially a failure, as he had been unable to convert the heathens to the faith, and did not establish his own church community either. The reason, of course, was that the Orthodox church of South India, while not in communion with the Russian Orthodox, was close enough to the latter in faith and spirit. And so after much deliberation, Andronicus concluded he should help the Syrian Orthodox church and not establish a separate congregation.
Madhulika writes about the areas of Shahjahanabad that were relevant for the development of Urdu poetry

Mirza Ghalib, though he was born in Agra, lived most of his life in Delhi—invariably in rented accommodation around the area of Ballimaran. The house where he spent his last days is in Gali Qasim Jaan (named after an 18th century nobleman, originally from Central Asia; Ghalib’s wife was a descendant of Qasim Jaan’s). Today, after having been neglected for many years, a portion of Ghalib’s haveli has been converted into a Ghalib museum, with information about his life, excerpts from his poetry, and artefacts recreating Ghalib’s days.

That’s it for April. The next carnival will be up on May 15th. If you have any links for the next carnival, please e-mail me (varnam dot blog at gmail)

Indian History Carnival–74: Puranas, Mughals, Orissa, Anandi Gopal Joshi, Selden Map

Dr. Sunil Deepak writes about ancient Indian history based on the Puranas. His post is based on the book Pracheen Brahmin Kahaniyan by Rangey Raghav

Ancient Indians used logic and had the capacity to categorize and analyse knowledge. Thus, Panini could work on Sanskrit grammar in a way that is understandable to linguistic experts even today. Or Vatsyayan could work on the theme of sexuality, that can be understood scientifically even today. Even esoteric subjects like meditation, yoga and the nature of human soul, were looked at in logical terms, analysed and discussed. Then, why those ancient Indians, did not use that kind of logic for writing history? Why did they make a mish-mash of actual events with mythological stories? Perhaps for ancient Indians, the worlds of gods and spirits were as real as their daily physical world, because that was the only way they could make a sense out of the events? Thus their ideas of history were impossible to separate from these fantasy worlds? Perhaps it had something to do with Indian concept of time as being cyclical (and not linear), where worlds were created and destroyed in cycles,and thus history was understood differently?
Saptarshi Dutta writes in WSJ India about a Mughal Art collection which depicts life before the British arrived. The post has few paintings from that collection.

Ghulam Ali Khan, one of the most accomplished Indian painters from that era, drew some of the paintings. He was the last royal Mughal artist and was employed in the courts of Mughal rulers Akbar II and Bahadur Shah Zafar. Other works are believed to have been drawn by some of Khan’s family members. One of Khan’s paintings featuring in the sale on April 8, captures what life was like for many workers during the Mughal era. It shows a man, his mouth covered with a cloth, working with a string to fluff up cotton
We know very little about Orissa, says Fëanor

Five hundred years earlier, Orissa was ruled by a Hindu raja. Orissa was a Shaivite state – the God Shiva was supposed to be its lord, and the kingdom was dotted with grandly ornamented Shiva temples. One particularly magnificent sculpture – of Shiva and Parvati – likely stood at the entrance to one of the great temples. It found its way to Stuart and thence to the British Museum. This was a life-size sculpture, and originally would have been brightly painted. Shiva would have been white, signifying the ash with which the ascetic God adorned himself, with a blue throat, from the poison he swallowed during the churning of the ocean for amrit. Observe the tenderness and devotion between him and his consort – this was no impersonal deity thundering abstinence and damnation upon his followers. Ganesha, their son, appears at the bottom, while figures representing the donor of the sculpture and his wife appear to the left and right of the Gods.
Jai Virdi writes about Dr. Anandi Gopal Joshi, a Brahmin, who went to United States in the 1880s to study medicine.

Born in 1865 in Kaylan, a small town near Bombay (Mumbai), she was married off at 9 years old to 229 year old postmaster Gopalro (Gopal Vinayak Joshi), a widower. Gopal renamed Joshi, shifting her birth name from Yamuna to Anandi (“the happy one”). He was also a supporter of women’s education and started teaching his young wife shortly after they got married. She eventually learned Sanskrit and English. The marriage completely ideal; there’s sources indicating that Gopal often abused his young wife in order to keep her focused on her education. In the 1880s, with the help of a Philadelphia missionary, Joshi was sent to the United States to receive an education in medicine, a decision made after the tragic death of her son when she was 14. She enrolled in the Women’s Medical College of Pennsylvania, then the first hospital for women; her thesis was titled Obstetrics among Aryan Hindoos.
The rediscovered Selden map shows Calicut in what would be Rangoon. Maddy explains the story behind the map.

The map itself was constructed towards the end of the Ming period, i.e. early 1600’s. Calicut though still important had slipped out of the early prominence and the Arabian seas were mostly in the control of first the Portuguese and later the Dutch. The English were waiting to slip in at an opportune time. The Moplah, Marakkar and Arab sailors still plied the waters of the Arabian Sea and the Western powers i.e. Dutch, English and Portuguese ran their own shipping vessels through these waters carrying tons of spices and other goods back and forth to red sea ports. The Ming Chinese voyages had ceased in the 15th century, a full 100 years or more before the Selden map was created. The junk trade was mostly restricted to the SE Asian areas (the area depicted in the map). So why place Gu Li at the corner or even mention it? It is not possible to discuss this topic without covering the Chinese trade with Malabar through the ages, albeit briefly.

If you have any links that are to be featured, please send them by any of these channels. The next carnival will be up on April 15th.

Indian History Carnival–73:Bodhicaryāvatāra, Carnatic Music, Deccani Paintings, Burmese Ramayana

Burmese painting of the Ramayana (via British Library)

Early Tibet has the history of Bodhicaryāvatāra or “Way of the Bodhisattva”, which is one of the most read texts in Tibetan Buddhist tradition.

Writing much later still, in the 17th century, the Tibetan scholar Tāranātha claimed that there were three versions of the Bodhicaryāvatāra: a version from eastern India in 700 verses, and two different versions from Kashmir and central India in 1,000 verses. Tāranātha then tells a story of two monks being sent to Śāntideva to ask which was the correct version, to which the author replied that it was the one found in central India. The same story is told by Buton in his history of Buddhism. These look very much like post facto justifications that the version already accepted in the Tibetan tradition was indeed the correct version.
Maddy writes about Tanjore and its Carnatic music legacy

Indian Classical music has its origins attributed to Vedic times and also celestial beings like Narada, but the form familiar today was originally popularized during the 13th and 14th centuries by Purandaradasa (the pitamaha or grandsire), Bhadrachalam Ramadasa and Kshetrayya in the Kannada rajya while a senior contemporary Annamacharya also composed and sang his songs in praise of the Tirumala Lords. The most luminous of the composers and originators of the Carnatic style of music was Pundarika Vittala. The Haridasa bhakti tradition popularized songs sung in praise the celestial and Purandaradasa codified and consolidated it by evolving several graded steps such as sarali, jantai, thattu varisai, alankara and geetham.
BibliOdyssey has images of 19 Deccani paintings compiled in the 19th century CE. These were called the ragamala series since it is a visualization of a musical note or melody.
The British Library has an exhibit of manuscripts from Indonesia, Thailand and Burma. The highlight of the one from Burma is an illustration of the Ramayana.

It was created at the royal court, where a team of painters served. The paper of this 19th century Burmese folding book of the Ramayana was handmade from mulberry bark. Shown here is the famous scene where Rama is lured away to shoot the golden deer. Meanwhile, his wife Sita is captured by Ravana in the guise of an old hermit, after which he returns to his original form of a fearful ten-headed giant. Dramatic performances of the Ramayana emerged in the Konbaung Period (1752-1885). The king’s minister Myawaddy Mingyi U Sa converted the Ramayana Jataka into a Burmese classical drama and he also composed accompanying music and songs. Ever since, Ramayana performances have been very popular in Burmese culture.

If you have any links that are to be featured, please send them by any of these channels. The next carnival will be up on Mar 15th.

Indian History Carnival–72: Aryan Invasion Theory, Buddha, Ramayyan Dalawa

Painting of the parinirvana of Gautama Buddha. Sanskrit Astasahasrika Prajnaparamita Sutra manuscript written in the Ranjana script. Nalanda, Bihar, India. Circa 700-1100 CE.

Koenraad Elst writes about the Vedic Conference that happened in Kozhikode in January and how the Aryan Invasion Theory still lives on

Having spent time in the real world, interacting with real scholars, I know the real situation, which is that the AIT is still taught from all the important platforms. People who tell you diferently, live in a fantasy world and only interact with village bumpkins who accept their word for it; so as feedback they ultimately only hear their own opinions. Fortunately, we can ignore recent history including these Hindu will-o-the-wisps, and start work on the really available testimonies to ancient history.
GeoCurrents has the third part of the series of posts on the Vexatious History of Indo-European Studies. The latest one has a section on how it is dealt in India.

Meanwhile, the legacy of Müller and his peers have came under increasing attack from another quarter altogether, that of Indian nationalism. This school is epitomized in D. N. Tripathi’s edited collection of 2005 entitled A Discourse on Indo-European Languages and Cultures. The various contributors to this volume understandably object to the old narrative of the Aryan invasion of the sub-continent, a story that emerged in the 19th century from a combination of philological inquiry and racial science. According to this account, superior Aryans invaded South Asia in the Bronze Age, conquering and ruling over the indigenous dark-skinned people and then creating the caste system to ensure that the two groups remained distinct and unequal. Support for this theory was supposedly found in the Rigveda, one of humankind’s oldest text. Yet as Trautmann shows, this neat and simplistic narrative of Aryan invasion had actually been opposed by most of the leading European Sanskritologists of the 19th century. It has also been rejected by modern mainstream scholars, who deny stark racial divisions and tend to posit plodding infiltrations of Indo-European speakers into the Indian subcontinent, along with a gradual and complex development of caste ideology. And regardless of the seemingly clear division of South Asia into an Indo-European north and Dravidian south, it has long been recognized that the entire region shares numerous linguistic features, making it a Sprachbund or linguistic convergence zone.
Few months back, there was a popular news article which claimed that new clues from Lumbini pushed back the date of Buddha. Jayarava, after reading the original paper, writes

There is no doubt whatever that the find at Lumbini is significant and fascinating. But Coningham et al (and Coningham himself) have overstated the claims for what this find signifies. In particular it tells us nothing whatever about the dates of the Buddha. What it tells us about is the dates of human occupation and use of the site at Lumbini. This is intrinsically interesting, but is only an outline that requires considerable filling in. Specifically it tells us nothing about who the occupants were. The authors of the article seem to have been carried away by the minutiae of the discovery and the assumption that all archaeology on an Asokan site is ipso facto Buddhist.
A while back I did a post on the origins of Aviyal. Maddy writes that in Travancore it was also known as Ramayyar kootu and has a post on Ramayyan Dalawa, who was Chanakya and Shakuni rolled into one.

If you were to study the successful reign of Marthanda Varma, you will quickly notice that there was one person who faithfully tended to him and guided him through those hectic days. In fact that person had been around even before MV took the throne, rightly or wrongly, from his uncle Rama Varma. The shrewd man was not only a Shakuni and Chanakya rolled in one, but also a very able administrator. Krishnan Raman or Ramayyan, that was his name, of Tamil Brahmin stock, was a good cook and a person of stern behavior, great logical outlook and acute intellect. Well, if you were to look at his story, you would be surprised at the involvement he had with the illustrious king, and not only that but you will also come across a large number of anecdotes attributed to him and retold even today. He is also considered to be the inventor of the Malayali dish Aviyal or what is sometimes termed as Ramayyar kootu in Travancore.

That’s the 6th anniversary of the carnival. If you have any links that are to be featured, please send them by any of these channels. The next carnival will be up on Feb 15th.