Tag: Deccan

Indian History Carnival-78:Bom Jesus, Guruvayoor, Deccani paintings, P N Oak

Guruvayoorappan's Elephants at Punnathoor Kotta
Guruvayoorappan’s Elephants at Punnathoor Kotta (photograph by author)
  1. Maddy has the fascinating tale of Bom Jesus, which left Portugal in 1533 with 18 tons of Fugger’s copper, 4 tons of tin, elephant tusks, gold and silver. The ship went missing and was discovered 475 years later.

    The Nau Bom Jesus was one among them and all of 400 or so tons in displacement. That the Portuguese knew how to build sturdy ships is clear, but you must also understand that the life of such a ship was not more than four or five years. Usage of nails, galagala caulking, lead in the seams, and a final black coat of pine tar from Germany gave these ships a sinister look. The heavy guns and cannons they carried for defense made them difficult to confront. The crew comprised a captain major, a deputy, a captain, a record keeping clerk (the royal agent – like our Barros or Carrera), a pilot and a deputy pilot. Then came the master, the boatswain, ships boys, pages and the sailors or seamen. We can also see chaplains, German bombardiers, stewards, specialist technicians like carpenters, caulkers and barber surgeons in this group.

  2. The Calicut Heritage Forum discusses the origins of the Elephant Race at Guruvyaoor Temple

    There was once some misunderstanding between the authorities of the two temples and Trikkanamathilakam temple authorities wanted to teach the smaller Guruvayur temple a lesson by not sending the elephants for the festival. The elephants were tethered at the Trikkanamathilakam temple after the festival there.  Apparently, the elephants managed to break the iron chains at night and ran all the way to Guruvayur temple, with their bells clanging and reached the temple well before the time for the ezhunnallathu  (the ceremonial procession of the deity).

  3. The Asian and African studies blog has a post containing Deccani paintings from the 17th  century onwards

    Kurnool, some 120 miles south of Hyderabad, became in the 18th century semi-independent under its own Pathan Nawabs. It was captured by Haidar ‘Ali of Mysore, and in 1799 was given to the Nizam at the division of Tipu Sultan’s territory. It was ceded by him to the East India Company in 1800, although the Nawabs were left in charge in return for a tribute to Madras. The last of them was judged guilty of treasonable activity in 1838 and the territory was annexed, although left in the charge of a British Commissioner and Agent until 1858 rather than under the normal Collector and Magistrate of British India. The arts flourished under the Nawabs and an offshoot of the Hyderabad style of painting can be located there (Zebrowski 1983, pp. 272-3). In the 19th century Kurnool produced paintings on leather of both Hindu and decorative subjects, but this painting by Kurnool artist would seem to be a rare instance of a Deccani ‘Company’ painting. The artist has combined a delicate Deccani approach to landscape with the more naturalistic traditions associated with European portraiture.

  4. Koenraad Elst takes to task those who think that Vatican was originally a Shiva temple and has other miscellaneous crazy ideas.

    In fact, the shape of the church is standard, and therefore the claim implies that most classical churches, thousands of them, are really shaped like Shiva Lingams. If your eyes are very hazy, you might indeed get the impression of a similarity. This school is quickly satisfied with a mere semblance of similarity. Thus, a 3-shaped sign in the undeciphered Indus script is declared to be Om/Aum sign; as is a door ornament on the Red Fort, equally deemed to have been “originally a Hindu temple”. But even if a more perceptive look were to confirm this impression of similarity, it doesn’t prove a causal relation. The likeness between vatika and Vatican is claimed to “prove that the Vatican was a Hindu (Vedic) religious centre before its incumbent was forced to accept Christianity from 1st century AD”. No, this phrase merely shows the miserably low standards of proof applied by the Hindu history-rewriters. Also, no evidence is attempted, or known from elsewhere, for the momentous replacement or forcible conversion of this Vedic pontiff.

The 79th carnival will be up on Independence day. If you have any nominations, please leave a comment.

Indian History Carnival–77: Cultural Treasures, Maratha and Deccani Paintings, Ehrenfels, Margaret Lee Weil

  1. As the new government has taken over, Vijay makes an important point that it should pay attention to safeguarding India’s national treasures and in recovering it from around the world.
  2. The Asian and African studies blog has Part 2 of the Maratha and Decaani paintings.

    The remaining five paintings in the album are all from a large Hyderabad-type series of the Rasikapriya, the classic text by Keshavdas on Hindi poetics that the author wrote at Orccha in 1594 for Kunwar Indrajit Singh, the brother of the ruler Raja Ram Shah of Orccha (1592-1605). Although a literary work, it was written in the context of the Vaishnava revival in northern and western India in the 16th century. Keshavdas took the love of Krishna and Radha out of the pastoral settings of the Gita Govinda and placed it in a courtly ambience. He used their relationship to explore all the different kinds of literary heroes and heroines and the erotic sentiment (sringara rasa) in all its variety

  3. The 1980 Gregory Peck movie, The Sea Wolves, was based on an attack on a German ship which had been trasmitting information to U-boats from Goa. Maddy goes behind that story and writes about the The Story of Ehrenfels at Goa

    The story of these four ships and their crew is what this is all about and one which was kept secret by the British and Indian governments until 1978. Interesting, right? Well, that it certainly was and as we unfold events around this story, we will travel down from Assam to Calcutta, then to Cochin and finally north to Goa. We will meet many nationalities, Indians, Germans, Brits and what not. As events turned out, the previously introduced motely group called the Calcutta Light horse were to get connected to this somewhat important operation of the SOE in India.

  4. In 1952, Margaret Lee Weil reached India to write about and photograph a man she admired – Jawaharlal Nehru. India Ink blog has an entry on her trip following Nehru and Indira on their vacation in the valley of Kashmir.

    Ms. Weil asked Mr. Nehru if she could take pictures of him for Collier’s, an American magazine. “I don’t care who takes my pictures as long as they don’t get in my way,” he snapped, according to one entry. A 34-year-old Indira Gandhi, according to Ms. Weil, had “long dark hair and a narrow sensitive face – a double of her father’s.” Mr. Nehru, in Ms. Weil’s words, appeared “every inch the statesman,” and “amazingly youthful for a man in his sixties.”

That’s it for this month. The next carnival will be up on July 15th. Please send your nominations to varnam.blog @gmail